Lyrically, I think I wanted to focus on more serious subject matter.”ĭespite her introspection, the new Hatchie album still brings a big, rhythmic sound, evoking a particular 90s milieu, somewhere between Savage Garden, Impossible Princess-era Kylie and Happy Mondays. “It didn’t feel quite like the right timing for me to put that record out. “I thought it was going to be even more like 90s house Madchester, acid house vibes – and it ended up being a lot more introspective,” she says. The album nails the sound and visuals of a time before Napster and Spotify, when pop stars and cult acts could still burn through record label money to create dark, glossy crossover hits.Īfter her debut EP and first album, both filled with shimmering, harmony-filled indie rock redolent of the Cranberries, Cocteau Twins and Slowdive, Pilbeam initially envisioned the second Hatchie LP as a pivot towards the sweaty, loud atmosphere of the club. That contrast is made all the more stark with Giving the World Away, her second album under the Hatchie name. Me sweating bullets all day at work today stacking boxes in a warehouse with a bunch of 18 year olds in activewear /8yiwKEP6KQ- Hatchie March 22, 2022
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